Logo Le Roy tuin, de ecokathedraal van Heerenveen

Ecocathedralen: waar plant, dier en mens samenwerken...
... en waar ruimte de tijd krijgt, en tijd de ruimte
Children play in the Le Roy garden
Children play in the Le Roy garden

Columnist and writer Gerbrand Bakker wrote a column for the weekly magazine De Groene Amsterdammer in 2009 about his childhood memory of the Le Roy Garden.

My father once employed a Frisian farmhand. When he quit, he moved back to Friesland, to Heerenveen, with his wife and children. I found it very strange that he returned every spring to look for lapwing eggs, because surely that was a typically Frisian activity? After they moved, we would occasionally head that way. I have no image whatsoever of a house or a street in Heerenveen where I can place the farmhand and his wife. I do remember a magical walking path, however, that must have been located near the house. It wasn't just a straight path of paving stones or asphalt with a few bushes along the side. It was a winding path, with nooks and crannies and strange large chunks of stone, steps, half-collapsed walls, and sleeper walls. The vegetation was tunnel-like, with hogweed and other weeds everywhere. You didn't see anything like that in our barren polder. I must have been there perhaps three times.

I have never been to Louis le Roy's Ecocathedral in Mildam (municipality of Heerenveen), but I know the concept, have seen images, and heard garden designers speak about it. Secretly, I dream of starting something like that myself someday, on a piece of land that belongs to me, although, unlike Le Roy, I definitely picture a saw, pruning shears, and a brush cutter there. I find keeping things under control a bit more important than he does.

Hundred-year contract

The winter issue of *Onze Eigen Tuin* contained an article about Le Roy, and only then did I learn that the magical path in the median strip of the Kennedylaan was one of the first Le Roy projects. Without ever having heard of the man, I was already captivated by his vision as a young boy. Those are the moments when you realize that you don't just do things haphazardly later in life. In 2005, almost forty years after the start of the ecocathedral project, a hundred-year contract was signed between the Municipality of Heerenveen and Le Roy. That is wonderful, because time – or rather: 'processes without an end goal' – is of the utmost importance in his vision.

Published in De Groene Amsterdammer no. 21, May 21, 2009

Want to help out?

Would you like to work as a volunteer on the Heerenveen ecocathedral? You can!
Get in touch , and we'll see what you like and what you can do.
Or come by sometime on a Wednesday morning. We are often working there then.

Agenda

31 Oct 02026;
13:00 - 16:30
TIJD-symposium 02026

The stage is yours!

Located in the Le Roy Garden is a small, atmospheric open-air theatre with a capacity of approximately 80 visitors. It is ideal for staging small performances of singing, recitation, music, theatre... Email or call us and inquire about the possibilities.

thumb open-air theater le roy garden

Guided tour or lecture on ecocathedrals?

Would you like a guided tour of the Le Roy Garden, or a lecture on ecocathedrals? Please contact us. You can do so by email or by phone at 06-24573020 .

Donate stones?

Do you have any stones left over and would you like to donate them to the Le Roy garden? Please contact us first, so you can immediately find out whether (and if so, where) you can bring the stones. Bringing (or collecting) material without prior notice is therefore not permitted.

tiles NK tile removing in ecocathedral Heerenveen

 

See also:

Other long-term art projects

Various artists have been inspired in one way or another by the long term, also known as cathedral thinking. A number of interesting examples:

  1. The Letters of Utrecht (02000 - as long as there are Saturdays): a poem that is written letter by letter every Saturday in the city center of Utrecht using stones.
  2. The Time Pyramid of Manfred Laber in Wemdinge, Germany
  3. The Future Library (02014 - 02114) of Katie Paterson in Oslo, Denmark.
  4. The Longplayer at Trinity Buoy Wharf in London, a musical piece that lasts 100 years and has been playing since January 1, 2000.
  5. The Tropfenstein machine (01996–02496) with which a stalactite is made in a museum in Hamburg.

" For a proper understanding of what is written, it must always be borne in mind that when nature is mentioned, natural processes are *always* meant, but never nature in its temporary form ." Louis G. Le Roy ( 1924 - 2012 )

" When we build, let us remember that we are building for eternity. Let it not be for present pleasure, nor for present use only; let it be such a work that our descendants will be grateful to us for it ." John Ruskin (1819–1900)